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Why Switch Music Genres

After the release of my Americana CD, The Way Things Used To Be, I began working on a new, similar CD with a more country flavor. I also had a half dozen finger-picking old blues songs I had written years ago that were in the can. As I was reviewing my material in my songbooks I ran across an old jazz song I had written in 1980 called Two Flames Burning. I had always liked the chord structure and liked the lyrics as well. One lyric, the opening lyric, was simple and to the point. "There's two flames burning, one is n my heart for you. There's two flames burning, both of them will see us through. One is the fire in my heart, the other is the fire in your heart. There's two flames burning, both of them will see us through." Having been known as a blues performer for most of my career, I wondered if I could learn to play jazz leads and create new jazz songs - create a whole new me. What would the point be? How would it be accepted? Would it be accepted? I doubted it to be honest, but in the big picture of life, we shouldn't care about if we are accepted or not and we shouldn't care if we may not be able to accomplish something, we should try to accomplish things to the best of our ability. 

So, off I went. I started work on a jazz CD entitled Jazz: The 2920 Sessions. 2920 is my home address here in El Paso, TX, and where I recorded The Way Things Used To Be. Of course, the great thing about having a recording studio in your home is that you can record all day long at your own expense. You can think and experiment all day every day until you get things right. I recorded Two Flames Burning with vocalist Monica Gutierrez doing what I could never do - sing a beautiful song. I also recorded and produced Song for Mindy (entitled Song for...) also written in 1980, Love is Broken (with the guitar tuned to D, A, D, Gb, B, E) also written in 1980, and Don't Lie To Me written in 1976, These songs fit the jazz bill, at least to me. Listening back to them now, each of these songs was way overproduced, but I was on a learning curve. I was figuring some things out. Let me point out that there was no click track to follow on my The Way Things Used To Be CD. I played the songs on my acoustic guitar with a mic in front of the sound-hole and the guitar plugged in through a DI. I thought this was brilliant! It did provide me with two distinct acoustic guitar sounds. But I'm drifting. While having Eric Boseman lay down a drum track on Love is Broken, he asked me if there was a click track. I said no. The work Eric did was fantastic but from that point on I began to create drum tracks for my songs. So the remaining songs, all new material, Jazz 31, Hound Dog Shuffle, Swing 280, and Trenchante Mer, Mineure all have drum tracks, and I've used them ever since. 

GETTING TO MY POINT - Jazz, whether I'm accepted by the community or not, has been an incredible experience for me. I have always thought that jazz is a genre with no boundaries. Yes, there are those jazz standards and those stalworth progressions, but I will never learn them - no offense.

With my new release, Park North, as with The Way Things Use To Be and with Jazz: The 2920 Sessions, I have made sure that there are recognizable melody lines that define each song. I have learned that simplicity is the key. I realized that I had to learn how to play acceptable jazz guitar leads and create chord patterns that could be, and are somewhat complicated, but also would be beautiful, and that they would make sense to human sensibilities. 

I think that with Park North I have really come close to delivering something new. It's clean. It's not the same old thing. I almost have it. One of the reasons I almost have it is because of the fine work I received from pianist Ruben Gutierrez, bassist Curt Bushaw, saxophonist Frank Zona, and vocalist Joshua Lucero. What I created they made better. I am close. I will work hard to change genres. I will try to stay true to the genre of jazz. I am having a great time. I am creating. I am thinking. I love it.

 

park north ... now available!

Park North - My New CD Is now Available! Plus, watch my videos on YouTube - search for Park North JRM.

Quick Quotes: Dan Alloway, Host of KTEP's Folk Fury - "A superb musical tapestry.” Karina Bugarini, Choreographer, artist – “Park North is a sublime trip that incorporates genius elements from jazz and blues.” Richard Kadzis, Voice of the Rio Grande - “Tracks like 'Stone Edge' flow like the sounds are coming from the guitar of Wes Montgomery.” Mike Gienapp, German music artist – “It sounds very clean, very smooth, and very intellectual.”

ABOUT PARK NORTH: After a year in the making, isolated inside our 2920 rancho pequeño, my sophomore jazz CD Park North has been completed. I think you will enjoy these eight new rhythm patterns and memorable themes. I am honored to have pianist Ruben Gutierrez, bassist Curt Bushaw, saxophonist Frank Zona, Pat 'Guitar Slim' Chase, and pianist Billy Townes join me on a few songs. I am also honored to have vocalist Joshua Lucero from Juarez, Mexico perform on Wherever, Whenever.

MORE BRIEF QUOTES: Michael Judge - Multi-instrumentalist, singer/songwriter - I loved “Wherever, Whenever” (shades of Chet Baker). A cool groove on “Cryin’ Cat Blues,” and wow on the percussion!" Tim Thompson - Director of Choir and Music Media at El Paso Hight School: “I honestly didn’t know how accomplished Jim Murphy is, not only in Blues, but Jazz and fusion as well.”

Click the 'Listen Here' button, or you can order Park North directly by clicking the 'My Store' button on the side.

AVAILABLE NOW! Click on the book to learn more.

Forward by Mary Jo Melby

Past President, El Paso Chapter of the National Society of Arts and Letters

James Robert (Jim) Murphy is a Renaissance Man. The term “Renaissance Man” has been defined as a person with many talents or areas of knowledge. Jim certainly epitomizes this description. He is a poet, yes, but also a songwriter, a painter, has authored five books, plays guitar and sings - solo and with a variety of musical groupings.

But what makes a true Renaissance Man goes way beyond just possessing the aforementioned talents. It takes tenacity - putting your assets into action. Jim does this. He jumps into life at the moment of inspiration and just paints or sings or writes. While many talented people think about creating, Jim creates.

Coming from a youth filled with adventure and sometimes even danger, Jim writes from the heart and experiences. I believe that many of us would agree that it’s when we are in those formative young years that emotions are felt so deeply. Because Jim kept journals during much of his life he is able to recall so many of his feelings in a very real way.

Poetry from a Road Scholar reminds us of the close way in which all of the arts are connected. We see the conductor leading his orchestra while visualizing different colors and the artist painting to the inspiration of his favorite music. Magical!!

Sit back and enjoy and the fun as Jim Murphy takes us to places only a poet such as he can travel.

BREAKING NEWS ...  Poetry from a Road Scholar will soon be available at Amazon, Barnes & Noble and Christianbooks.com

Poetry from a Road Scholar was selected for print by Wipf and Stock Publishers out of Eugene, Oregon. It is a collection of 86 poems/song lyrics that were written as I hitchhiked back and forth across this great nation during the 1970s and 1980s. A time when I was searching for love and of course, searching to find myself. I have found love, but I am still struggling now and then with the things I have learned about myself. 

 

Beginning when I was 16 years old hiding in my bedroom with my Kingston acoustic guitar I have been writing music. "Writing" is a loose term for scribbling lyrics in a notebook and placing a 'G', 'C' and 'D' over the words where the chord changes take place.

After nearly 50 years of this tactic, I have begun to revisit my stack of 17 songbooks and began selecting my favorite pieces in the folk, country, jazz/pop, rock and blues genres. In 2012 I released a compilation 4-CD box set of mostly original blues, called, A History of Blues (available on my Music page). It is a history of the varied styles of blues I have penned beginning in 1972. It features tremendous studio and live performances of many of Upstate NY's finest blues players. Overall, this has encompassed roughly six recording sessions: The 820 Sessions, music from a livingroom session held at 820 Avery Ave. in Syracuse, NY. The 2920 Sessions held here in El Paso, TX. The If Trouble Was Money Sessions (Syracuse) - named after an Albert Collins tune. The South Side of Blue Sessions (Syracuse), The Last Blue Note Sessions, and The Hotel/Motel/Apartment Sessions (recorded anywhere and everywhere). Here are my notebooks. I actually think I am missing one.

The Way Things Used To Be - KTEP's Folk Fury host Dan Alloway review: "Austin Jimmy Murphy is no stranger to the blues. He founded the NYS Blues Festival and since coming to El Paso he has held court over several monthly blues Jams. His newest release, The Way Things Used To Be, is a little bit different than the way most of his songs used to sound. There is still an element of the blues in his playing but the music on the new CD falls more into the Americana category. In fact, they predate the Americana genre. Jimmy reaches into his back catalog for songs from his past and brings them back to life. This collection of tunes has sort of a laid back feel to them. The lyrics are heartfelt and reflect a simpler time. There are a few Honky-Tonk tearjerkers such as My Drinking Days Are Over and My Heart’s On Fire. Some of the songs possess a folk-like quality to them. His medley of Amazing Grace/Will the Circle Be Unbroken starts out as a slow blues and segues into an almost bluegrass/barrelhouse/second line strut number, if such a thing even exists. Although the songs have a full band accompaniment, Jim’s guitar playing is upfront and foremost. His picking is as always superb and his rough-hewn vocals are chock full emotion. Listening to this CD, one can almost conjure up an image of sitting on the front porch with Jimmy picking while watching a desert sunset.

Murphy states: There was a time when I hitchhiked back and forth across the United States for a decade or more - wandering, searching for my soul, with no need to be anywhere in particular at any particular time or day. Lyrically and musically the 11 original songs on The Way Things Used To Be are simple songs with heartfelt stories and melodies. If you have a passion for a waltz or two, and good-ol' down-home music, you will love this project. Wonderful love songs that I know you will all be able to relate to. These recordings are from the 2920 Sessions held here in El Paso, TX. Go to my Music page for in-depth information and to purchase any song or CD you wish to. It is also available on Amazon.com, Spotify and elsewhere. Just search for Austin Jimmy Murphy. Thank you all.

GO TO THE "BOOKS" PAGE OR TO THE "MY STORE" LINK TO FIND OUT MORE

                                 

 

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